The goals I established for the Jerome Ceramic Artist Project Grant
were simple: set up a new studio and further develop my handbuilding
vocabulary. The first goal was highlighted in my previous blog entry leaving the
latter for this entry.
Years and years ago when I first felt comfortable making
pots on the wheel, I remember the thrill that came with each kiln unloading and
saving the gems for apartment cupboards. More exciting was the realization that
the pots thrilling me at that very moment would, overtime, lose their spark when
new, more stimulating pieces replaced them. This evolution has always been my
goal. The simple formula to promote progression: more time and more pots.
Fast-forward 15 years to today where my Jerome goal is to
pursue handbuilding with soft slabs of clay. For the past few months, my focus has been on
a handful of forms: cups, vases, boxes, and large jars. Pots were being made and fired with hopes of
building a stellar Jerome show inventory.
Suddenly and unexpectedly something happened last week that
threw a kink into much of what I accomplished in the previous months. Late on a weeknight I had a moment of clarity
while finishing a vase. I realized a few pattern adjustments could alter my
vase adding visual strength to the form. Likewise, lengthening a smaller vase
neck and adding walls to bowls quickly morphed these forms into better, more
exciting pieces. Not just a little better, but a lot stronger to the point that I
don’t know if I can show the pieces finished earlier. Progress feels great and is electrifying and energizing.
Cut Handled Bowl |
Cut Handled Bowl |
Six Sided Vase, 22 inches wide. |
Here we go again, I am really pleased with the advancement in studio, but I am more excited about the evolution that will continue and for
those pieces that have yet to be made.
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